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extraneous thing which has nothing to do with the t44hhh.aaaheories of art; a subtle44hhh.aaa change in the nature of the inspiration; a phenomenon for which I can ,ong to the period following u44hhh.aaapon the publication of the “Typhoon” volume of short stories.

I don’t mean to say that I became then conscious of any impending change in my mentality and in my attitude towards the tasks of my writing life. And perhaps there was never any change, except in that mysterious,